Re: Charlie Porter & Ich - Ansatzanpassungen/Überbiss
Verfasst: Montag 20. Mai 2019, 18:03
Charlies Antwort auf den oben zitierten Kommentar:
"Well, I wouldn’t say it’s an all together different technique. We have absolute scientifically proven evidence to support that the lips do in fact vibrate when we play...we cannot dispute this. However, what must be understood is that there is correlation between the pitch you buzz and how much higher it will be on the trumpet because of the smaller vibrational area of the mpc and the resistance of the horn. This means that playing a middle “g” should feel like buzzing a low “Bb” and not like buzzing a middle “g”. I explain this in the video, but many people simply persist on believing that they are just blowing air or that they have to buzz the same pitch. It is not a different technique...otherwise this exercise would be a complete waste of time. We buzz when we play, we just don’t buzz as high as we play...and the higher we play the larger the different becomes in the correlation. As someone who has studied with many famous teachers, some of whom don’t advocate buzzing, i we’ll understand where they are coming from. However, the results when done correctly, speak for themselves. Something needs to vibrate in order to make sound...thinking that simply blowing air is enough to accomplish this is akin to believing that some magical force is creating the vibration...nope, it’s your lips. Just include the correlation of resistance into your equation and do not buzz for too long and make sure you are going for good sound. The point is to play with form supporting this vibration and not just excessive mouthpiece pressure."
Beste Grüße
Jens
"Well, I wouldn’t say it’s an all together different technique. We have absolute scientifically proven evidence to support that the lips do in fact vibrate when we play...we cannot dispute this. However, what must be understood is that there is correlation between the pitch you buzz and how much higher it will be on the trumpet because of the smaller vibrational area of the mpc and the resistance of the horn. This means that playing a middle “g” should feel like buzzing a low “Bb” and not like buzzing a middle “g”. I explain this in the video, but many people simply persist on believing that they are just blowing air or that they have to buzz the same pitch. It is not a different technique...otherwise this exercise would be a complete waste of time. We buzz when we play, we just don’t buzz as high as we play...and the higher we play the larger the different becomes in the correlation. As someone who has studied with many famous teachers, some of whom don’t advocate buzzing, i we’ll understand where they are coming from. However, the results when done correctly, speak for themselves. Something needs to vibrate in order to make sound...thinking that simply blowing air is enough to accomplish this is akin to believing that some magical force is creating the vibration...nope, it’s your lips. Just include the correlation of resistance into your equation and do not buzz for too long and make sure you are going for good sound. The point is to play with form supporting this vibration and not just excessive mouthpiece pressure."
Beste Grüße
Jens